LOT DETAILS

Materials:

ink on paper

Measurements:

12.99 in. (33.00 cm.) (height) by 205.91 in. (523.00 cm.) (width)

Description:

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Markings:

Inscribed twice, dated dinghai, corresponding to 1767, with a dedication to his younger brother Qian Weiqiao and with four seals of the artist in total. Titleslip by Yang Qinglin (19th Century), dated gengwu (1870) and with one seal of his. Frontispiece by Fan Yongqi (1727-1795) and with three seals of his Colophons by Qian Zai (1708-1793), dated xinmao (1771) and with three seals of his; by Zhao Yi (1727-1814) and with three seals of his; by Zhao Huaiyu (1747-1823), dated jiawu (1774) and with four seals of his; by Zhang Qia (1718-?), dated jiawu (1774) and with one seal of his; by Peng Yuanrui (1731-1803), dated jiawu (1774) and with three seals of his; by Ping Shengtai (18th Century), dated gengzi (1780) and with four seals of his; by Zhao Huaiyu, dated the sixteenth year of Jiaqing reign (1811) and with two seals of his; by Shao Songnian (1848-1923), dated bingchen (1916) and with two seals of his. Inscriptions in the mounting border by Qian Daxin (1728-1804), dated dingwei (1787) and with two seals of his; by Yang Qinglin, dated guiyou (1873) and with one seal of his. with one collector's seal of Cao Wenzhi (1735-1798), one collector's seal of Wang Lizhai (18th/19th Century), two collector's seals of Ye Honghan (Qing Dynasty), four collector's seals of Jin Chuansheng (19th/20th Century), one collector seal of Yang Qinglin and five other collectors' seals

Literature:

Recorded:. (1) Qian Zai,. Tuoshizhai Shiji , (Qing Qianlong carved version), . juan 32. (2) Zhao Yi,. Oubeu Ji , (1812 Zhanyitang carved version), . juan 21. (3) Zhao Huaiyu,. Yiyoushengzhai Ji , (1821 carved version),. shi juan 5 and 28. (4) Peng Yuanrui,. Enyutang Jigao , (1827 carved version), . juan 3. (5) Qian Daxin,. Qianyantang Shiji , (1831 carved version),. juan 5. (6) Shao Songnian,. Chenglantang Guyuan Cuilu, 1904,. juan 5, pp.15-19. (7) Xu Bangda,. Gaiding Lidai Liuchuan Huihua Biannianbiao, Beijing, 1995, p.238. . Illustrated:. (1) Shanghai Museum ed.,. Zhongguo Shuhuajia Yinjian Kuanshi , 1982, pp.1498-1499 (Qian Weicheng's seal impression 22, 24, 28 and signature 33); p. 1364 ( Zhao Huaiyu's seal impression 11, 13, 15); p. 1495 (Qian Zai's seal impression 22) . (2) Kaikodo Journal,. The Power of Form , Spring 1998, pp. 106, 243-244, no. 20. (3) Kaikodo Journal,. Scholarly Premises , Autumn 1999, p. 146