LOT DETAILS

Materials:

ink and color on silk

Measurements:

26.69 in. (67.80 cm.) (height) by 187.13 in. (475.30 cm.) (width)

Description:

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Exhibited:

1. Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, March 18- May 7, 1989; Mary and Leigh Block Gallery, Northwestern University, March 8-April 22, 1990; Arthur M. Sackler Museum, Harvard University, September 28-November 24, 1991; Spencer Museum of Art, University of Kansas, October 25-December 27, 1992; Columbus Museum of Art, Columbus, Ohio, April 18-June 20, 1993; Elvehjem Museum of Art, University of Wisconsin-Madison, January 29-March 20, 1994; Crocker Art Museum, California, October 30-December 31, 1997; Georgia Museum of Art, University of Georgia, January 31-March 28, 1999; Fleming Museum of Art, University of Vermont, October 3-December 10, 2000. 2. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp , Musée Cernuschi, September 23-December 30, 1999. 3. Lyrical Traditions: Four Centuries of Chinese Paintings from the Papp Collection , The Frist Center for the Visual Arts, Nashville, June 22-October 7, 2007. 4. Intimate Escapes: Navigating Social Currents in Ming-Qing China , Phoenix Art Museum, Summer 2009.

Literature:

1. Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, 1989, cat. 18, pp. 68-69. 2. Maxwell K. Hearn,. The Kangxi Southern Inspection Tour: A Narrative Program by Wang Hui (Doctoral dissertation), Princeton University, 1990, pl. 5 and pp. 111-114. 3. Claudia Brown, "Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting", in. Orientations , vol. 22, no. 9, September 1991, fig. 7, p. 79. 4. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp , Musée Cernuschi, 1999, cat. 19, pp. 74-75. 5. Maxwell Hearn, Wen Fong, Chin-sung Chang,. Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717) , New York: The Metropolitan Museum of Art, 2008, pp. 136-137. 6. Claudia Brown. , Great Qing: Painting in China, 1644-1911 , University of Washington Press, 2014, fig. 2.3, pp. 38. 7. Claudia Brown, Melissa Button and Mark Pomilio (Eds.),. Inverse Conversations: Tradition RE/formed, Phoenix Art Museum, 2015, p. 62

Provenance:

Christie's New York, Fine Chinese Paintings and Calligraphy, November 30, 1988, lot 89.