LOT DETAILS
Materials:
arched top
Size Notes:
44.375 x 17 in. (112.5 x 42.5 cm.)
Description:
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Exhibited:
London, Royal Academy, Winter Exhibition, 1979, no. 174, as 'Florentine School.'
Literature:
M. Boskovits, A Critical and Historical Corpus of Florentine Paintings, The Painters of Miniaturist Tendency, section III, IX, Florence, 1984, pp. 71-72, 344, plates CLXX-CLXXI. A. Tartuferi, 'Nouveauts sur le Trecento,' Revue de l'Art, LXII, 1986, pp. 43-46. M. Boskovits, 'More on the Art of Bernardo Daddi,' in R. Offner, A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century, section III, III, 2nd Edition, M. Boskovits and E. Neri Lusana, eds., New York and Florence, 1989, p. 53, note 78. E.S. Skaug, Punch marks from Giotto to Fra Angelico. Attribution, Chronology and Workshop Relationship in Tuscan Panel Painting with Particular Consideration to Florence 1330-1340, I, Oslo, 1994, p. 108, note 195. E. Neri Lusana, 'Daddi, Bernardo,' The Dictionary of Art, VIII, J. Turner, ed., New York, 1996, pp. 441-444. A. Labriola, 'Daddi, Bernardo,' in Allgemeines Knstlerlexikon: die bildenden Knstler aller Zeiten und Vlker, XXI-II, G. Meissner, ed., Munich and Leipzig, 1999, pp. 355-357. O. Garnett, 'The Letters and Collection of William Graham - Pre-Raphaelite patron and pre-Raphaelite collector,' The sixty-second volume of the Walpole Society, 2000, pp. 314, no. d103, fig. 170. D. Parenti, 'Studi recenti su Orcagna e sulla pittura dopo la "peste nera",' Arte Cristiana, LXXXIX, 2001, p. 329. A. De Marchi, 'La tavola d'altare', Storia delle arti in Toscana. Il Trecento, M. Seidel, ed., Florence, 2004, pp. 31-32, 34, note 61, fig. 17. J. Sander, Das "Standard-Altarbild" der Gotik: Das Polyptychon-The "Standard Altarpiece" of the Gothic Period: The Polyptych, Frankfurt, 2006, pp. 99-103, 298, no. 20, plate 24. E.S. Skaug, 'Bernardo Daddi's Chronology and Workshop Structure as Defined by Technical Criteria,' in Da Giotto a Botticelli: Pittura fiorentina tra gotico e rinascimento; Atti del convego internazionale Firenze, Universit degli Studi e Museo di San Marco May 20-21, 2005, F. Paust and J. Tripps, eds., Florence, 2008, pp. 82, 83, 94-95, note 7.
Provenance:
William Graham (1817-1885), Glasgow, by 1879, Anonymous sale; Christie's, London, 9 April 1886, lot 334, as 'Giotto'. Lady Desborough of Panshanger, and by descent to Lady Salmond. Anonymous sale; Christie's, London, 7 July 1972, lot 55, as 'Florentine School, circa 1360'. with Mortilla and Frederick Mont, Paris and New York. Private collection, Zrich. with Newhouse Galleries, New York, from whom acquired by Edwin L. Weisl, Jr. (1929-2005), New York, by 1978; (), Christie's, New York, 6 April 2006, lot 28, as 'Bernardo Daddi,' where acquired by the present owner.