LOT DETAILS
Materials:
oil on canvas
Measurements:
29.13 in. (74.00 cm.) (height) by 20.28 in. (51.50 cm.) (width)
Markings:
signed and dated 'manet 1881' (lower left)
Exhibited:
Paris, L'Exposition des Beaux-Arts (Salon de 1882), no. 1754, salle VII.Paris, Ecole des Beaux-Arts, Exposition posthume Manet, 1884, no. 105.Paris, Exposition universelle internationale, Centennale de l'Art français, 1889, no. 495.Paris, Galeries Durand-Ruel et Cie. and Berlin, Paul Cassirer, Exposition de 24 Tableaux et Aquarelles par Manet Formant la collection Faure, March 1906, p. 14, no. 23.London, Fine Art Palace, Franco-British Exhibition: The British School of Painting, August 1908, no. 330.Paris, Palais du Domaine de Bagatelle, Rétrospective de portraits de femmes, 1909, p. 32, no. 135 (illustrated, p. 31).Paris, Musée des arts décoratifs, Cinquante ans de peinture française, 1875-1925, May-July 1925, no. 43 (illustrated).New York, Carroll Carstairs, The 1870s in France, 1938, p. 9 (illustrated, p. 8).New York, Wildenstein & Co., Inc., A Loan Exhibition of Fashion in Headdress, 1450-1943, April-May 1943, no. 93 (illustrated).New York, Metropolitan Museum of Art, Paintings from Private Collections, 1960, no. 60; 1961, no. 46; 1962, no. 37; 1963, no. 33; 1966, no. 83.New York, Wildenstein & Co., Inc., Art and the Decorator, April-May 1967 (illustrated).New York, Metropolitan Museum of Art, New York Collects, July-September 1968, no. 91 (incorrectly dated 1841).Washington, D.C., National Gallery of Art, July 1993-May 2014 (on extended loan).
Literature:
G. Goetschy, "Avant le Salon" in Le Soir, 30 April 1882.L. Baschet, ed., L'Exposition des Beaux-Arts: Salon de 1882, Paris, 1882, p. 127 (illustrated, p. 126).P. Burty, "Le Salon de 1882" in La République française, 1 May 1882.A. Chérié, ed., Guide du Salon de Paris 1882, Paris, 1882, p. 22.L. de Fourcaud, "Le Salon" in Le Gaulois, 4 May 1882.E. Bergerat, "Le Salon de 1882" in Le Voltaire, 10 May 1882.A. Silvestre, "Le Monde des Arts, Salon de 1882" in La vie moderne, 3 June 1882, p. 342.A. Proust, "Le Salon de 1882, I" in Gazette des Beaux-Arts, June 1882, p. 457.M. du Seigneur, "L'art et les artistes au salon de 1882" in L'Artiste, July 1882, p. 21.E. Hoschedé, Impressions de mon voyage au Salon de 1882, Paris, 1882, pp. 48-49.J.K. Huysmans, L'art moderne, Paris, 1883, p. 272.E. Bazire, Manet, Paris, 1884, p. 113 (illustrated, p. 28).A. Proust, "Edouard Manet inédit" in La revue blanche, 15 March 1897, p. 311.A. Proust, "Edouard Manet inédit" in La revue blanche, 15 April 1897, p. 415.T. Duret, Histoire d'Edouard Manet et de son oeuvre, Paris, 1902, pp. 154 and 265, no. 284.Notice sur la collection J.B. Faure suivie du catalogue des tableaux formant cette collection, Paris, 1902, no. 41.H. von Tschudi, Edouard Manet, Berlin, 1902, p. 43 (illustrated; titled Der Frühling).G. Moore, "Erinnerungen an die Impressionisten" in Kunst und Künstler, January 1907, p. 145.Masters in Art: A Series of Illustrated Monographs, Boston, 1908, vol. 9, no. 97, p. 36 (illustrated, p. 7, pl. III).T. Duret, "Edouard Manet et les Impressionnistes" in Histoire du Paysage en France, 1908, p. 312.B. Haendcke, "Die Historischen Grundlagen der Hell- und Freilichtmalerei" in Die Kunst, 1 January 1911, p. 167.J.E. Blanche, "Notes sur Manet" in Essais et Portraits, 1912, pp. 153-163.J. Meier-Graefe, Edouard Manet, Munich, 1912 (illustrated, pl. 188; incorrectly dated 1882).A. Proust, Edouard Manet, souvenirs, Paris, 1913, p. 113 (illustrated, p. 112, pl. 28).T. Duret, "Les portraits peints par Manet et refusés par leurs modèles" in La Renaissance, July 1918, p. 153.E. Waldmann, Edouard Manet, Berlin, 1923, p. 101 (illustrated; incorrectly dated 1882).J.E. Blanche, Manet, Paris, 1924, pp. 51 and 58.E. Moreau-Nélaton, Manet raconté par lui-même, Paris, 1926, vol. II, pp. 86-88 and 143 (illustrated, p. 89, fig. 303).J.E. Blanche, De David à Degas, Paris, 1927, pp. 140, 141 and 146.P. Jamot and G. Wildenstein, Manet, Paris, 1932, vol. I, pp. 102 and 176, no. 470 (illustrated, vol. II, p. 101, no. 470, fig. 190).H. Mondor, La vie de Mallarmé, Paris, 1941, p. 416.M. Florisoone, Manet, Monaco, 1947, p. 102, no. 88 (illustrated, pl. 88).A. Tabarant, Manet et ses oeuvres, Paris, 1947, pp. 411, 414, 439-442, 491, 512 and 543, no. 380 (illustrated, p. 615).G.H. Hamilton, Manet and His Critics, New Haven, 1954, pp. 249, 255, 256 and 264 (illustrated, fig. 36).J. Richardson, Edouard Manet: Paintings and Drawings, London, 1958, p. 130, no. 76 (illustrated, pl. 76).D. Rouart, Manet, London, 1960, p. 72.G. Bazin, Trésors de l'Impressionnisme au Louvre, Paris, 1962, p. 51.T. Rousseau, "Loans accepted" in The Metropolitan Museum of Art Bulletin, vol. XXIV, no. 2, October 1965, p. 57.S. Orienti and P. Pool, The Complete Paintings of Manet, New York, 1967, p. 115, no. 348 (illustrated).J. Richardson, Manet, New York, 1967, p. 87 (illustrated in color, pl. 33).A. Scharf, Art and Photography, London, 1968, p. 40.C. Chiarenza, "Manet's Use of Photography in the Creation of A Drawing" in Master Drawings, spring 1969, pp. 38-45.A. de Leiris, The Drawings of Edouard Manet, Berkeley and Los Angeles, 1969, pp. xxix, 11, 14, 41, 83 and 138 (illustrated, fig. 424).C. Virch, "Loans accepted" in The Metropolitan Museum of Art Bulletin, vol. XXVIII, no. 2, October 1969, p. 78 (incorrectly dated 1851).D. Rouart and S. Orienti, Tout l'oeuvre peint d'Edouard Manet, Paris, 1970, p. 115, no. 352 (illustrated).G. Bazin, Edouard Manet, Milan, 1972, pp. 9, 59 and 70 (illustrated).D. Rouart and D. Wildenstein, Edouard Manet: Catalogue Raisonné, Paintings, Lausanne and Paris, 1975, vol. I, p. 276, no. 372 (illustrated, p. 277).K. Adler, Manet, Oxford, 1986, p. 216 (illustrated, p. 217, fig. 210).T.A. Gronberg, ed., Manet: A Retrospective, New York, 1988, p. 272.R.L. Herbert, Impressionism: Art, Leisure, and Parisian Society, New Haven, 1988, pp. 184 and 186 (illustrated in color, p. 185, fig. 187).B.A. Brombert, Edouard Manet: Rebel in a Frock Coat, New York, 1996, pp. 435 and 445 (illustrated, fig. 63).J. Wilson-Bareau, ed., Manet By Himself: Correspondence & Conversation, Paintings, Pastels, Prints & Drawings, Edison, New Jersey, 2001, p. 259, no. 229 (illustrated in color, p. 292).I. Conzen, Edouard Manet und die Impressionisten, exh. cat., Staatsgalerie Stuttgart, 2002, p. 133 (illustrated, fig. 161).R.L. Herbert, Seurat and the Making of La Grande Jatte, exh. cat., The Art Institute of Chicago, 2004, pp. 163-165 (illustrated in color, p. 165, fig. 4). R. Iskin, Modern Women and Parisian Consumer Culture in Impressionist Painting, Cambridge, 2007, pp. 198, 211, 214 and 224 (illustrated, p. 213, no. 88).L.R. Lehmbeck, Edouard Manet's Portraits of Women, New York, 2007, pp. 55-63.Impressionism, Fashion & Modernity, exh. cat., The Metropolitan Museum of Art, New York, 2012, pp. 231 and 256 (illustrated in color, p. 258, fig. 2).Manet: Portraying Life, exh. cat., Royal Academy of Arts, London, 2012, p. 52 (illustrated in color, p. 53, fig. 29).
Provenance:
Antonin Proust, Paris (acquired from the artist, 2 January 1883).Jean-Baptiste Faure, Paris (acquired from the above, by 1902).Galerie Durand-Ruel et Cie., Paris (acquired from the above, 13 March 1907).Durand-Ruel Galleries, New York (acquired from the above, 24 November 1909).Colonel Oliver H. Payne, New York (acquired from the above, 1909).By descent from the above to the present owners.