LOT DETAILS

Materials:

stainless steel and bourbon

Size Notes:

27.9 x 289.6 x 16.5

Edition:

This work is number three from an edition of three plus one artist's proof and is accompanied by a certificate of authenticity signed by the artist.

Description:

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Markings:

signed by the artist.

Exhibited:

Los Angeles, Daniel Weinberg Gallery, Luxury and Degradation, August 1986 (another example ). New York, International With Monument Gallery, Luxury and Degradation, October 1986 (another example ). Barcelona, Centre Cultural de la Fundaci Caixa de Pensions, Art and its Double: A New York perspective/L'art i el seu doble: Panorama de l'art a Nova York, November 1986-January 1987, p. 71, no. 46 (another example and illustrated). Chicago, Museum of Contemporary Art, Jeff Koons: Works 1979-1988, July-August 1988, pp. 30-31 and 39, no. 19 (another example and illustrated). London, Saatchi Gallery, New York Art Now: The Saatchi Collection, September 1987-January 1988, pp. 136-137 (another example and illustrated). Washington D.C, Hirshhorn Museum and Sculpture Garden, Culture and Commentary: An Eighties Perspective, February-May 1990, p. 79 (another example and illustrated). New York, Museum of Modern Art; Art Institute of Chicago and Los Angeles, Museum of Contemporary Art, High & Low: Modern Art and Popular Culture, October 1990-September 1991, p. 395, no. 32 (illustrated). San Francisco Museum of Modern Art and Minneapolis, Walker Art Center, Jeff Koons, December 1992-October 1993, pp. 70-71 and 131, pl. 24, no. 28 (another example and illustrated). Amsterdam, Stedelijk Museum; Denmark, Aarhus Kunstmuseum and Staatsgalerie Stuttgart, Jeff Koons Retrospektiv, November 1992-April 1993, Amsterdam and Stuttgart, pp. 52-53 (illustrated); Aarhus, pp. 42-43, cat. no. 13 (illustrated). Berlin, Martin-Gropius-Bau; London, Royal Academy of Arts and London, Saatchi Gallery, American Art in the 20th Century: Painting and Sculpture 1913-1993, May-December 1993, p. 435, no. 250 (illustrated). Kunsthalle Zrich, Playpen & Corpus Delirium, October-December 1996, pp. 16-17 and 20 (another example and illustrated). Santa Monica, Eli Broad Family Foundation, Group Show, December 1997-July 1999 (another example ). Museum of Contemporary Art Chicago, Age of Influence: Reflections in the Mirror of American Culture, April-June 2000 (another example ). Los Angeles County Museum of Art; Washington, D.C., Corcoran Gallery of Art; Boston, Museum of Fine Arts and Bilbao, Guggenheim Museum, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, October 2001-September 2003, p. 224 (another example and illustrated). Naples, Museo Archeologico Nazionale, Jeff Koons, June-September 2003, pp. 44-45 and 51 (illustrated). New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April-June 2004, pp. 50-51 and 81, no. 15 (another example and illustrated). Oslo, Astrup Fearnley Museum of Modern Art and Helsinki City Art Museum, Jeff Koons: Retrospective, September 2004-April 2005, pp. 44-45, 110-111 and 146 (another example and illustrated). Museum of Contemporary Art Chicago and London, Hayward Gallery, Universal Experience: Art, Life and the Tourist's Eye, February-December 2005 (another example and illustrated). Kunsthaus Bregenz, Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz, February-May 2007, pp. 110-111 and 120-121 (illustrated). London, Gagosian Gallery, Pop Art Is, September-November 2007, n.p., no. 101 (another example and illustrated). Chicago, Museum of Contemporary Art, Jeff Koons, May-September 2008, pp. 48-49 (another example and illustrated). Los Angeles County Museum of Art, Broad Contemporary Art Museum at LACMA, Inaugural Installation, February-September 2008, pp. 199 and 243 (another example and installation view illustrated). Chateau de Versailles, Jeff Koons, Versailles, October 2008-April 2009, pp. 81-83, 156 and 166 (illustrated). Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons: The Sculptor, June-September 2012, p. 172 (another example and illustrated). New York, Whitney Museum of American Art; Paris, Centre Georges Pompidou and Bilbao, Guggenheim Museum, Jeff Koons: A Retrospective, June 2014-September 2015, pp. 82 and 86-87 (New York, another example and illustrated), pp. 90 and 94-95 (Paris, illustrated). Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May-September 2019, pp. 230-233 (illustrated). Florence, Fondazione Palazzo Strozzi, Jeff Koons: Shine, October 2021-January 2022, p. 74-77 (illustrated). Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 2021-March 2022, pp. 58-59 (another example ).

Literature:

J. Saltz, R. Smith and P. Halley, Beyond Boundaries: New York's New Art, New York, 1986, p. 6 (another example illustrated). J. Siegel, 'Jeff Koons: Unachievable States of Being,' Art, October 1986, p. 67 (another example illustrated).E. Heartney, The Hot New Cool Art: Simulationism

Provenance:

Sonnabend Gallery, New York Acquired from the above by the present owner, 1992