LOT DETAILS

Materials:

stainless steel

Measurements:

40.98 in. (104.10 cm.) (height) by 19.02 in. (48.30 cm.) (width) by 12.01 in. (30.50 cm.) (width)

Edition:

2 of 3 plus 1 AP

Description:

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Exhibited:

New York, Sonnabend Gallery, Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, October-November 1986 (another example exhibited). New York, Whitney Museum of American Art, Whitney Biennial 1987, April-July 1987, pp. 71 and 208 (another example exhibited and illustrated in color). Paris, Galeries Contemporaines, Centre Georges Pompidou, Carte Blanches: Les Courtiers du Desir, April-May 1987 (another example exhibited). London, Saatchi Collection, NY Art Now: The Saatchi Collection, September 1987 p. 139 (another example exhibited and illustrated in color). Museum Fridericianum Kassel, Schlaf der Vernunft, February-May 1988, pp. 115 and 223 (exhibited; another example illustrated in color). Chicago, Museum of Contemporary Art, Jeff Koons: Works 1978-1988, July-August 1988, p. 28, no. 21 (another example exhibited and illustrated in color). Newport Beach, Newport Harbor Art Museum, OBJECTives: The New Sculpture, April-June 1990, pp. 98-99 and 173 (another example exhibited and illustrated in color). Sydney, Art Gallery of New South Wales, 8th Biennale of Sydney: The Readymade Boomerang: Certain Relations in 20th Century Art, April-June 1990, p. 18, no. 235 (another example exhibited and illustrated in color). New York, Museum of Modern Art; Art Institute of Chicago; Los Angeles, Museum of Contemporary Art, High and Low: Modern Art and Popular Culture, October 1990-September 1991, p. 368, no. 1 (another example exhibited and illustrated in color). Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Territorum Artis, June-September 1992, pp. 171 and 380, no. 85 (another example exhibited and illustrated in color). Amsterdam, Stedelijk Museum; ARoS Aarhus Kunstmuseum; Staatsgalerie Stuttgart, Jeff Koons: Retrospektiv, November 1992-April 1993, p. 41 (Amsterdam and Stuttgart), p. 47, no. 31 (Aarhus) (another example exhibited and illustrated in color). San Francisco Museum of Modern Art; Minneapolis, Walker Art Center, Jeff Koons, December 1992-October 1993, pl. 31, no. 38 (another example exhibited and illustrated in color). Santa Monica, Eli Broad Family Foundation, Jeff Koons, Roy Lichtenstein, December 1995-January 1996 (another example exhibited). Santa Monica, Eli Broad Family Foundation, Group Show, December 1997-July 1999 (another example exhibited). Los Angeles County Museum of Art; Washington D.C., Corcoran Gallery of Art; Boston, Museum of Fine Arts, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, October 2001–October 2002, pp. 124-125 and 191 (another example exhibited, illustrated in color and illustrated in color on the cover). Naples, Museo Archeologico Nazionale, Jeff Koons, June-September 2003, p. 61 (another example exhibited and illustrated). New York, C & M Arts, Jeff Koons: Highlights of 25 Years, April-June 2004, n.p., pl. 10 (another example exhibited and illustrated in color). Oslo, Astrup Fearnley Museum for Moderne Kunst; Helsinki City Art Museum, Jeff Koons: Retrospectiv, September 2004-April 2005, pp. 56-57 and 139 (another example exhibited and illustrated in color). Chicago, Museum of Contemporary Art, Universal Experience: Art, Life, and the Tourist’s Eye, February-June 2005, p. 89 (another example exhibited and illustrated in color). Boston, Institute of Contemporary Art, Super Vision, September-December 2006, pp. 96-97 and 192 (another example exhibited and illustrated in color). Los Angeles County Museum of Art, Magritte and Contemporary Art: The Treachery of Images, November 2006-March 2007, p. 218 (another example exhibited and illustrated in color). Kunsthaus Bregenz, Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz, February-May 2007, pp. 106, 115, 117 and 128 (another example exhibited, illustrated in color and installation view illustrated). Los Angeles County Museum of Art, Broad Contemporary Art Museum at LACMA, Inaugural Installation, February-September 2008, p. 246 (another example exhibited and installation view of another example illustrated in color). Chicago, Museum of Contemporary Art, Jeff Koons, May-September 2008, pp. 27, 50 and 55 (another example exhibited, illustrated in color and installation view illustrated). Château de Versailles, Jeff Koons Versailles, September 2008-April 2009, pp. 37-39, 136 and 166 (another example exhibited, illustrated in color, installation views illustrated in color and illustrated in color on the cover). London, Tate Modern; Hamburger Kunsthalle; Ottawa, National Gallery of Canada, POP Life: Art in a Material World, October 2009-September 2010, p. 8 (another example exhibited, illustrated in color and illustrated in color on the cover). Chicago, Museum of Contemporary Art, Without You I’m Nothing: Art and Its Audience, November 2010-May 2011 (another example exhibited). Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June-September 2012, p. 43, no. 3 (another example exhibited and illustrated in color). Boston, Institute of Contemporary Art; Chicago, Museum of Contemporary Art; Minneapolis, Walker Art Center, This Will Have Been: Art, Love, & Politics in the 1980's, November 2012-March 2013 (another example exhibited). New York, Whitney Museum of American Art; Paris, Centre Georges Pompidou; Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 2014-September 2015, p. 87, 93, 96-98 and 117 (New York); pp. 95, 101,104-106, 125 (Paris) (another example exhibited and illustrated in color). Los Angeles, The Broad, Inaugural Installation, September 2015-May 2016 (another example exhibited). Kunstmuseum Basel, Sculpture on the Move 1946-2016, April-September 2016, p. 113 (another example exhibited and illustrated in color). Chicago, Museum of Contemporary Art. Heaven and Earth: Alexander Calder and Jeff Koons, October 2017-April 2019 (another example exhibited). Chicago, Museum of Contemporary Art, We are Here, We are Everywhere, October 2017-January 2018 (another example exhibited). Oxford, Ashmolean Museum, Jeff Koons at the Ashmolean, February-June 2019, p. 59 (another example exhibited and illustrated in color). Mexico City, Museo Jumex Appearance Stripped Bare: Desire and Object in the Work of Marcel Duchamp and Jeff Koons, Even, June-September 2019 (another example to be exhibited).

Literature:

A. Wallach, “The New Art is SoHo Cool,” Newsday, October 1986, (another example illustrated in color). K. Larson, “Masters of Hype,” New York, November 1986, p. 100 (another example illustrated). R. Kleyn, “Nuovi Concetti,” January, 1987, p. 60 (another example illustrated). F. Owen, “Neo-Geo,” i-D, February 1987, p. 90 (another example illustrated in color). M. R. Rubenstein and D. Wiener, “Sites and Sights: Considerations on Walter de Maria, Jeff Koons, and Tom Butter,” Arts Magazine, March 1987 (another example illustrated). L. Cooke, "Object Lessons: Just What Is It About Today's Sculpture..?," Artscribe, no. 65, September-October 1987, p. 55 (another example illustrated in color). A. Schwartzman, “The Yippie-Yuppie Artist,” Manhattan Inc., December 1987, p. 139 (another example illustrated). G. Politi, “Jeff Koons,” Flash Art, February-March 1987, p. 44 (Italian version; another example illustrated in color); p. 76 (English version; another example illustrated in color). J. Saltz, "The Dark Side of the Rabbit: Notes on a Sculpture by Jeff Koons," Arts Magazine, February 1988, p. 27 (another example illustrated in color). M. Sandford, “Kunstler, Sammler, Sensationen,” New York, May 1988, p. 108 (another example illustrated in color). R. Smith, "Rituals of Consumption," Art in America, May 1988, p. 171 (another example illustrated in color). Galeries Magazine, France, June-July 1988, pp. 112 and 117 (another example illustrated in color). H. Tamaka, "Jeff Koons," Hi Fashion, no. 172, August 1988, p. 137 (another example illustrated in color). New York in View, Ashley Bickerton, Jeff Koons, Allan McCollum, Haim Steinbach, Meyer Vaisman, exh. cat., Kunstverein Munchen, 1988, p. 13 (another example illustrated). M. Cox, “Feeling Victimized? Then Strike Back: Become an Artist,” The Wall Street Journal, February 1989 (another example illustrated). H. Hanson, "Art Works: Highbrow, High-Priced Tchotchkes" Chicago, February 1989, pp. 23-24. M. Westenholm, “Scharlatan und Super-Star: Jeff Koons,” Pan, February 1989, p. 11 (another example illustrated in color). K. Kertess, "BAD," Parkett, no. 19, March 1989, p. 43 (another example illustrated in color). M. Compton, “Pop Art II – Jeff Koons & Co.,” Art & Design, July 1989, p. 38 (another example illustrated in color). J. Hall, "Neo-Geo's Bachelor Artists" Art International, Winter 1989 (another example illustrated on the cover). D. Kazanjian, “Koons Crazy,” Vogue, August 1990, p. 339 (another example illustrated in color). N. Jenkins, "Kirk Varnedoe: High, Low, Hot and Cool," ARTnews, vol. 89, no. 8, October 1990, p. 165 (another example illustrated in color). P. Plagens, "MoMA Takes the Low Road," Newsweek, October 1990, p. 72 (another example illustrated in color). D. Barricklow, The Face, London, November 1990, p. 104 (another example illustrated in color). K. Vandedoe and S. Ramljak, "With a Fine Disregard: An Interview with Kirk Varnedoe," Sculpture, November-December 1990, p. 19 (another example illustrated). R. Enright, “The Material Boy and the Femme Fidele,” Border Crossings, Winter 1990, p. 40 (another example illustrated in color). J. Lamoureux, Parachute Magazine, February 1991, p. 64 (another example illustrated). T. Frend, “Ein Happening fur Gefule und Begierden,” New Magazine, July 1991, p. 38 (another example illustrated in color). "Hommage An Armani Koons – Werk," Elle Germany, 1991, p. 178. J. Albig, “Jeff Koons, ein Prophet der inneren Leere" Art, December 1992, p. 53 (another example illustrated). J. Koons, The Jeff Koons Handbook, London, 1992, p. 83 (another example illustrated in color). Men, 1992, p. 178 (another example illustrated in color). A. Muthesius ed., Jeff Koons, Cologne, 1992, p. 89, no. 3 (another example illustrated in color). B. Riemschneider, Jeff Koons: 30 Postcards, Cologne, 1992 (another example illustrated in color). R. Hughes, “The Princeling of Kitsch,” Time Magazine, February 1993, p. 79 (another example illustrated). D. Littlejohn, "Who As Jeff Koons And Why Are People Saying Such Bad Things About Him?" ARTnews, vol. 92, no. 4, April 1993 (another example illustrated in color on the cover). H. Vater, “Kunst der Totalen Banalitat,” Das Magazine, April 1993. "Kitsch as Koons Can," PRINZ magazine, May 1993, p. 145 (another example illustrated in color). A. Haden-Guest, “A Collector’s Progress,” Art & Auction, December 1993, p. 80 (another example illustrated in color). L. Morell, “Jeff Koons Interview: The Political Value of Art,” Skala: Nordic Magazine of Architecture and Art, no. 28, 1993, p. 38 (another example illustrated). K. Varnedoe, New Acquisitions in MoMA, no. 17, Summer 1994, p. 17 (another example illustrated). Z. L. Bozovic, ed., Razgovori O Likovnoj Umetnosti II, Belgrade, 1994, p. 66 (another example illustrated). W. E. Solomon, "Koons: The Artist Matures" York Sunday News, 10 December 1995, pp. A7-A9. K. Seward, "Frankenstein in Paradise," Parkett, no. 50-51, December 1997, p. 70 (another example illustrated in color). The Age of Modernism—Art in the 20th Century, exh. cat., Berlin, Martin-Gropius-Bau, 1997, no. 335 (another example illustrated in color). C. Iles and I. Sischy, Fascination: Hugo Boss, New York, 1998 (another example illustrated in color). S. H. Madoff, “Creative Chaos,” Time Magazine, New York, November 1999, p. 98 (another example illustrated in color). Artforum, vol. 38, no. 8, March 2000, p. 11 (another example illustrated in color). Apocalypse: Beauty and Horror in Contemporary Art, exh. cat., London, Royal Academy of the Arts, September-December 2000, p. 232 (another example illustrated in color). Hounds in Leash: The Dog in 18th and 19th Century Sculpture, London, 2000, p. 64. Jeff Koons: Easyfun-Ethereal, exh. cat., Berlin, Deutsche Guggenheim, 2000, p. 35, no. 16 (another example illustrated in color). M. Kemp, The Oxford History of Western Art, Oxford, 2000, pp. 504 and 524-525. E. Lucie-Smith, American Realism, London, 2002, pp. 225-228. Osaka University of Art: Basic Study of Three Dimensions Textbook, Japan, 2002, p. 173 (another example illustrated). K. Siegel, “Jeff Koons Talks to Katy Siegel,” Artforum, March 2003, pp. 252-253 (another example illustrated in color on the cover). K. Varnedoe, "Jeff Koons’ Rabbit,” Artforum, April 2003, p. 90 (another example illustrated in color). “Letters to the Editor,” Artforum, Summer 2003, p. 18 (another example illustrated in color). P. Karmel, “Man of His Words: Pepe Karmel on Kirk Varnedoe,” Artforum, November 2003, p. 26 (another example illustrated in color). M. McKenzie, Images We Love: Popular Art in America, 2003, p. 47 (another example illustrated). S. Freudenheim, “Romancing the Collector: Will There Be a Storybook Ending?” New York Times, 31 March 2004, p. F1 (another example illustrated). “Contemporary Art.” Art + Auction, April 2004, 114-115, (another example illustrated). V. Hatelmann, “Ik Beloof Je, Het Is Performatief,” Metropolis M, no. 4, August-September 2004, pp. 74-75. "Matthew Barney vs. Jeff Koons," Blackbook, October-November 2004, pp. 82-87. M. Higgs, "Best of 2004: 13 Critics and Curators Look at the Year in Art," Artforum, December 2004, p. 157 (another example illustrated in color and illustrated in color on the cover). S. Dumont and K. E. Haug, “Jeff Koons Gets a Lift,” Carl’s Cars, no. 69, 2004, pp. 22-25. S. K. Freedman, et al., Plop: Recent Projects of the Public Art Fund, New York, 2004, p. 131 (another example illustrated in color). The BROAD Art Foundation, Los Angeles, 2004, p. 13 (another example illustrated in color). G. Politi, "Jeff Koons: An Interview by the Readers of Flash Art," Flash Art, vol. 38, no. 240, January-February 2005, p. 90 (another example illustrated in color). G. McNatt, "Pop with No Apologies," The Baltimore Sun, 9 April 2005. K. Johnson, “Eager Globe-Trotters Shrink the Art World,” New York Times, 29 April 2005. K. D. Thomas, “The Selling of Jeff Koons,” Art News, vol. 104, no. 5, May 2005, p. 118 (another example illustrated in color). R. Dickins, The Usborne Book of Art: A Complete Introduction for Beginners, London, 2005, p. 138 (another example illustrated). “Agenda,” Amici, March 2006, p. 35 (another example illustrated). C. Kaplan, "Koons & McCartney," Monopol Magazin, June-July 2006, p. 83 (another example illustrated in color). K. Johnson, “The ‘Vision’ Thing: Inaugural ICA sets its sights on contemporary consciousness,��� Boston Sunday Globe, 10 December 2006, pp. N18-19 (another example illustrated). T. Buser, Experiencing Art Around Us, Australia, 2006, p. 476 (another example illustrated in color). S. C. Canarutto, Jeff Koons (Supercontemporanea series), Milan, 2006, pp. 48-49 (another example illustrated in color). J. Gasparina, I Love Fashion: L’art contemporain et la mode, Paris, 2006, p. 11. K. Varnedoe, Pictures of Nothing: Abstract Art Since Pollock, Princeton, 2006, p. 40 (another example illustrated in color). C. Dietrich, “Eben hineinstolpern ins Gluck,” Vorarlberger Nachrichten, 17 February 2007, p. D7 (another example illustrated). A. Grabher, “Marcel Duchamp ist unser Grobvater. Bei Jeff Koons wird der Betrachter im Kunsthaus zum Readymade,” Auflagenstaarkste Tageszeitung Voralbergs, 17 February 2007, (another example illustrated). B. Hainley, “Reviews: Magritte and Contemporary Art: The Treachery of Images” Artforum, February 2007, p. 301 (installation view of another example illustrated in color). T. McDonough, “Education of the Senses,” Art in America, March 2007, p. 127 (installation view of another example illustrated in color). D. Walsh, “Jeff Koons: On Track,” Art & Living, Issue 7, Summer 2007, pp. 42-46 (another example illustrated in color). R. Smith, “A Bunny Balloon Sheds Its Steel Skin,” New York Times, 23 November 2007. Art in America: Three Hundred Years of Innovation, exh. cat., Beijing, National Art Museum of China, 2007, p. 301, no. 112 (another example illustrated in color). P. Tinari, “Some Simple Reflections on an Artist in a City, 2001-2007,” Parkett, no. 81, 2007, p. 115 (another example illustrated in color). T. Von Wagner, "Generation Zeitgeist," Art, no. 1, January 2008, pp. 36-43 (another example illustrated on the cover). F. Bonami, “Jeff Koons,” Panorama First, no. 4, 2008, p. 117 (another example illustrated). C. Vogel, “A Colossal Private Sale By the Heirs of a Dealer,” New York Times, 12 May 2008. P. Schjeldahl, “Funhouse: A Jeff Koons Retrospective” New Yorker, 9 June 2008, pp. 130-131. H. W. Holzwarth, ed., Jeff Koons, 2008, pp. 46, 219-220, 230 and 238 (another example illustrated in color and installation view illustrated in color). M. Nakamura, "USA: Jeff Koons," art actuel, no. 57, July-August 2008, p. 71 (another example illustrated in color). MCA Magazine, Chicago, Summer 2008, p. 2 (another example illustrated in color). "Koons Royal," Monopol Magazin, vol. 5, no. 37, September 2008, p. 28 (installation view of another example illustrated in color). S. Gassot, "Jeff Koons a Versailles: Provocation ou Revolution?" Paris Capitale, no. 134, September 2008, p. 56 (installation view of another example illustrated in color). J. Benhamou-Huet, "Exposition: Le roi du kitsch trone a Versailles," Le Point, 4 September 2008, p. 84 (installation view of another example illustrated in color). "Questions sur l'expositin Jeff Koons au chateau de Versailles" Le Monde, 8 September 2008, p. 1 (installation view of another example illustrated in color). V. DuPonchelle, "Toute la planete reunie a Versailles pour Jeff Koons," Le Figaro, 10 September 2008, p. 28 (installation view of another example illustrated in color). J. P. Frimbois, "Jeff Koons: son Pari a Versailles," art actuel, no. 58, September-October 2008, pp. 4 and 6 (installation view of another example illustrated in color). "Jeff Koons," Exporama, September-October 2008, p. 63 (installation view of another example illustrated in color). S. Lambert, "Jeff Koons," l'Officiel Hommes, Fall-Winter 2008, p. 106 (installation view of another example illustrated in color). U. Thon, "Spieglein, Spieglein an der Wand," Art, October 2008, p. 42 (installation view of another example illustrated in color). M. Houellebecq, "Jeff Koons," Art World, issue 7, October-November 2008, p. 31 (installation view of another example illustrated in color). C. Mooney, "Jeff Koons: Chateau de Vaersailles," Art Review, no. 28, December 2008, p. 131 (installation view of another example illustrated in color). H. Bourdeaux-Martin, “Profile – Dominique Levy,” Whitewall, Winter 2008, p. 42 (another example illustrated in color and installation views illustrated). A. Demir, "King Koons," BC/BE Contemporary, Winter 2008, pp. 40, and 110 (installation view of another example illustrated in color). V. Barton, “Jeff Koons,” Elle Decor, December 2008-January 2009, pp. 118-119 (another example illustrated in color). C. Andrew, "Koons at Versailles," So Chic, 2008, p. 26 (installation view of another example illustrated in color). Jeff Koons. Celebration, exh. cat., Berlin, Neue Nationalgalerie, 2008, pp. 49 and 110, no. 12 (another example illustrated in color). F. Bonami, “Art & Money,” Domus, March 2009, pp. 34-36 (installation view of another example illustrated in color). É. Troncy, “Jeff Koons, Château de Versailles, 10 Septembre-14 Décembre 2008,” Frog, Spring-Summer 2009, p. 40 (installation view of another example illustrated in color). “Listings: Tate Modern,” RA Magazine, no. 104, Autumn 2009, p. 63 (another example illustrated in color). C. Jackson, "When Art Goes Pop," Wall Street Journal, October 2009 (another example illustrated). “When It Come To the Crunch, This is Too Trite. Art: Pop Life,” City A.M., 8 October 2009, (another example illustrated in color). A. M. Homes, "Popping Up: The Tate Modern's Graphic Exhibition," Vanity Fair, October 2009, p. 118 (another example illustrated in color). G. O'Brien, "Andy Lives!" Departures, November-December 2009, p. 173 (another example illustrated in color). C. Tan, “From Pop to Pop,” Business Times, Christmas 2009, pp. 10 and 18-22 (another example illustrated in color). C. Bonham-Carter and D. Hodge, The Contemporary Art Book, London, 2009, p. 133 (another example illustrated in color). J. Schellmann, ed., Forty are Better than One, New York, 2009, p. 193 (another example illustrated in color). P. Ségalot and F. Giraud, The Impossible Collection: The 100 Most Coveted Artworks of the Modern Era, New York, 2009, no. 82 (another example illustrated in color). M. Sollins, ed., art: 21, Massachusetts, 2009, p. 95 (installation view of another example illustrated in color). F. Bonami, Dal Partenone Al Panettone, Milan, 2010, p. 137 (another example illustrated in color). L. Saxberg, “Explicit Erotic Art Confined to Restricted Section in National Gallery Show,” Canwest News Service, April 2010, (another example illustrated). N. N. Holland, “Jeff Koons’ ‘Rabbit,’ the Brain, and Postmodern Art,” Psychology Today, June 2010 (another example illustrated). P. Simpson, “Jeff Koons,” The Ottawa Citizen, June 2010 (another example illustrated). P. Richter, “I?Jeff Koons ,“ BMW Magazine, Autumn 2010, p. 50 (another example illustrated in color). E. Granjean, “L’art contemporain, le nouveau luxe d’aujourd’hui” Edelweiss Hors Serié Luxe, November 2010, p. 22 (another example illustrated in color). Childish Things, exh. cat., Edinburgh, Fruitmarket Gallery, 2010, p. 9 (another example illustrated In color). A. Tölke, “Gleichgewicht Der Kräfte,” Build, March 2011 (another example illustrated in color on the cover). C. Bruck, "Broad's Way," Monopol Magazin, April 2011, p. 50 (installation view of another example illustrated in color). P. Nicolin, “So Different, So Appealing,” Kaleidoscope, New York., Summer 2011, pp. 134-135 (another example illustrated in color). B. Finger and C. Weidemann, 50 Contemporary Artists You Should Know, New York, 2011, p. 68 (another example illustrated in color). P. Javault, "Le Bon Exemple: Jeff Koons," 20/27, no. 5, 2011, p. 126 (another example illustrated in color). K. Johnson, Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, New York, 2011, p. 195 (another example illustrated in color). J. Reckhenrich, M. Kupp and J. Anderson, “Made in heaven – produced on earth: creative leadership as art of projection,” Journal of Business Strategy, vol. 34, no. 4, 2011, p. 18 (another example illustrated in black and white). “Pop Chart,” Time Magazine, January 2012 (another example illustrated in color). S. Elsing, "Eine Ausstellung über Götter und Gummitiere," Welt, 19 June 2012. G. Curreri, “Art, Love and Politics in the ‘80s: An exhibition at the ICA,” The Daily Free Press, November 2012 (another example illustrated in color). I. Lefort, “Jeff Koons: Un Américain à Beaubourg,” La Tribune et Moi, December 2012 (another example illustrated in color). E. Broad, The Art of Being Unreasonable: Lessons in Unconventional Thinking, Hoboken, 2012, (another example illustrated in color on the cover). Jeff Koons, exh. cat., Basel, Fondation Beyeler, 2012, pp. 22 and 178, no. 7 and 9 (another example illustrated in color). H. U. Obrist, The Conversation Series 22: Jeff Koons, Cologne, 2012, p. 115 (another example illustrated). S. Phillips, …isms, New York, 2012, p. 125 (another example illustrated in color and on the cover). “U.S. Giant Jeff Koons,” Harper’s Bazaar China, 2012 (another example illustrated in color). C. Swanson, “Jeff Koons is the Most Successful American Artist Since Warhol, So What’s the Art World Got Against the Guy?” New York Magazine, May 2013, p. 28 (another example illustrated in color). M. Hollein, “100 Meisterwerke,” Monopol Magazin, December 2013, p. 51 (another example illustrated in color). “Art That Goes Pop,” Kempinski, 2013, p. 26 (another example illustrated in color). L. Lowe, “Jeff Koons, in His Own Words,” Architectural Digest, June-July 2014, p. 57 (another example illustrated in color). R. Lacayo, “Show me the Bunny: As he Closes in on 60, Jeff Koons Finally Gets His Really Big Show,” Time Magazine, June-July 2014, p. 93 (another example illustrated in color). N. Liucci-Goutnikov, “Jeff Koons: Une Histoire de Goût,” Les Cahiers du Musée National D’Art Moderne, Summer 2014, p. 49 (another example illustrated). S. Watson, “Jeff Koons at the Whitney,” Huffington Post, August 2014 (another example illustrated in color). M. Fujimori, “Jeff Koons,” ArtTecho, October 2014, p. 33 (another example illustrated in color). J. Lavrador, “Jeff Koons: génie ou imposteur?” Beaux Arts Editions, no. 365, November 2014, p. 136 (another example illustrated in color). J. Wullschlager, “Jeff Koons at the Pompidou: Inflated out of all proportion,” Financial Times, November 2014 (another example illustrated in color). L. Blissett, “Sept moments-clefs dans une vie d’artiste,” Beaux Arts editions, December 2014, p. 12 (installation view of another example illustrated in color). C. Moltisanto, “Koons et l’histoire de l’art,” Beaux Arts editions, December 2014, p. 62. A. Romanacce, “Jeff Koons: Le Roi Midas,” Arts Magazine, December 2014, p. 112. R. Wolff, “Singular Sensations,” Art Basel Miami Beach, December 2014, p. 244. H. Debailleux, “Jeff Koons: Faiseur d’icônes,” L’Oeil Magazine, December 2014, p. 10 (another example illustrated in color). The Other Side: Mirrors and Reflections in Contemporary Art, exh. cat., Vienna, Belvedere, 2014, p. 128 (another example illustrated in color). I. Sischy, “Jeff Koons: L’Art Gonflé,” Vanity Fair, 2014, p. 142 (another example illustrated in color). S. Thornton, 33 Artists in 3 Acts, New York, 2014, p. 76 (another example illustrated in color). Sculpture After Sculpture: Fritsch/Koons/Ray, exh. cat., Stockholm, Moderna Museet, 2014, pp. 73 and 75 (another example illustrated in color and installation view illustrated). J. Koons and N. Rosenthal, Jeff Koons: Conversations with Norman Rosenthal, London, 2014. p. 133 (another example illustrated in color). S. Sherwin, “Forget ‘Look, but don’t touch.’ For a new generation of children and artists alike, play’s definitely the thing,” W: Art, May 2015, p. 38 (another example illustrated in color). G. Gassmann, “Jeff Koons’s Suggestions for What to See, Read and Do This Summer,” New York Times Style Magazine, July 2015 (another example illustrated in color). A. Sokoloff, “Jeff Koons,” Ars Magazine, vol. 8, no. 27, July-September 2015, p. 38 (another example illustrated in color). K. Novak, “Spin Dazzle: Decades of Art in a Daze,” Harper’s Bazaar Hong Kong, September 2015 (another example illustrated in color). K. Stakemeier, Texte Zur Kunst, no. 99, September 2015, p. 218 (another example illustrated in color). S. Yotka, “Jeff Koons’s Iconic ‘Rabbit’ Now Comes in Jewelry Form,” Vogue, October 2015 (another example illustrated in color). D. Dewitte, R. Larmann and M. Shields, Gateways to Art, New York, 2015, p. 133 (another example illustrated). J. Heyler ed., The Broad Collection, New York, 2015, pp. 10, 21, 84 and 86 (another example illustrated in color). H. W. Holzwarth ed., Jeff Koons, Slovakia, 2015, pp. 8, 40-41 and 93 (another example illustrated in color and installation view illustrated in color). Art + NYC: A Complete Guide to New York City Art and Artists, New York, 2016. p. 94. “Das Readymade: Die beste Idee der Kunstgeschichte,” Art das Kunstmagazin, March 2016, p. 39 (another example illustrated in color). I. Viturro, “Jeff Koons presentó su Ballerina en el Mala,” Vanidades, April 2016 (another example illustrated in color). “Sculpture on the Move 1946-2016, Kunstmuseum Basel,” Gagosian Quarterly, May-August 2016, p. 140 (another example illustrated in color). H. Pfortmüller, "Lust - Kunst, Kunst - Lust" L'Officiel Schweiz, 2016, p. 108. Robert Rauschenberg, exh. cat., New York, Museum of Modern Art, 2016, p. 327 (another example illustrated in color). C. Yu, Ravenel, no. 20, Spring 2017 (another example illustrated in color). S. Michaelsen, “Jeff Koons,” Volkskrant Magazine, May 2017, p. 18 (another example illustrated in color). J. L. Roberts, ed., Terra Foundation Essays: Scale, Chicago, 2017 (another example illustrated in color). R. Storr, Interviews on Art. London, 2017, p. 389 (another example illustrated in color). Vom Sinn der Kunst, Kunstforum, May 2018 (another example illustrated in color). Gagosian Quarterly, Fall 2018, p. 133 (another example illustrated in color). J. Belcove, “Private Museums Established by Wealthy Collectors are On the Rise,” Robb Report, 18 November 2018 (installation view of another example illustrated in color). Dan Colen: Mailorder, Mother, Purgatory, exh. cat., New York, Le´vy Gorvy, 2018, p. 67 (another example illustrated in color). “Jeff Koons art on display at Ashmolean Oxford,” BBC News, 7 February 2019 (another example illustrated in color). W. Gompertz, “Will Gompertz reviews Jeff Koons at the Ashmolean Museum in Oxford,” BBC News, 9 February 2019 (another example illustrated in color). L. Cumming, “Jeff Koons at the Ashmolean review - a master of deflection,” The Guardian, 10 February 2019 (installation view of another example illustrated in color). T. Hughes, “Jeff Koons Shines at Ashmolean Museum Oxford,” The Oxford Times, 14 February 2019 (installation view of another example illustrated in color). M. Westall, “Jeff Koons heads to university,” FAD Magazine, 15 February 2019 (installation view of another example illustrated in color).

Provenance:

Sonnabend Gallery, New York Private collection, New York Gagosian Gallery, New York Acquired from the above by the present owner, 1992